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Open a larger version of the following image in a popup: Utagawa Kunisada (1786–1865), The Cute Type (Kawairashiso), from the series The Modern Thirty-two Types (Imayo sanjuni so), 1861, 12th month

Utagawa Kunisada (1786–1865)

The Cute Type (Kawairashiso), from the series The Modern Thirty-two Types (Imayo sanjuni so), 1861, 12th month
Woodblock print
Vertical oban:
36.2 x 24.8 cm.
14 1/4 x 9 3/4 in.
Signed: Toyokuni ga
Sealed: aratame (certified), Chicken 12 (December 1861)
Publisher: Yamaguchiya Tobei (Kinkodo)
Engraver: Matsushima Daijiro
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During his early 70s, Kunisada started work on several series that are understood to have been conceived with the intention of him leaving an enduring legacy as a major artist....
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During his early 70s, Kunisada started work on several series that are understood to have been conceived with the intention of him leaving an enduring legacy as a major artist. Extra care and attention was given to the designs, as well as the materials, engraving and printing. The Modern Thirty-two Types is one such series which employed the highest standards of production, including the use of imported and expensive dyes. This is especially apparent when viewing the first edition where thick, deluxe paper was also used.


Another impression is in the collection of The Museum of Fine Arts, Boston, accession no. 11.41022, go to: MFA, The Cute Type (Kawairashiso)
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Japanese woodblock prints and works
of art from antiquity to contemporary.

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By appointment, Monday - Friday 9.30 - 5.30

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+44 (0) 7966 255250

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