• Kawase Hasui (1883-1957), 'Nakayama-Shichiri Road in Hida Province' (Hida Nakayama-Shichiri), from the series 'Souvenirs of Travel Third Series' (Tabi miyage dai sanshu), 1924
    Kawase Hasui (1883-1957)
    'Nakayama-Shichiri Road in Hida Province' (Hida Nakayama-Shichiri), from the series 'Souvenirs of Travel Third Series' (Tabi miyage dai sanshu), 1924
    Woodblock print
    Signed: 'Hasui'
    Sealed: 'Kawase'
    Publisher: Watanabe Shozaburo (Hotei 'B' seal, consistent with printing 1924-30)
    Dated: 'Taisho jusannen saku' [Taisho 13] (made in 1924)
    Horizontal oban:
    26.1 x 39.3 cm. (10 ¼ x 15 ½ in.)
    £ 8,500.00
  • Kawase Hasui (1883-1957), 'Asahi Peak seen from Mount Hakuba' (Hakuba san yori mitaru Asahi dake), from the series 'Souvenirs of Travel, Third Series' (Tabi miyage dai sanshu), 1924
    Kawase Hasui (1883-1957)
    'Asahi Peak seen from Mount Hakuba' (Hakuba san yori mitaru Asahi dake), from the series 'Souvenirs of Travel, Third Series' (Tabi miyage dai sanshu), 1924
    Woodblock print
    Signed: 'Hasui'
    Artist's seal: 'Kawase'
    Publisher: Watanabe Shozaburo (Hotei 'B' seal, consistent with printing 1924-30)
    Titled as above in left margin
    Dated: 'Taisho jusannen saku' [Taisho 13] (1924)
    Horizontal oban:
    25.8 x 38.7 cm. (10 ⅛ x 15 ¼ in.)
    £ 8,000.00
  • Utagawa Hiroshige (1797-1858), 'Chiyogaike Pond, Meguro' (Meguro Chiyogaike), from the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei), 1856
    Utagawa Hiroshige (1797-1858)
    'Chiyogaike Pond, Meguro' (Meguro Chiyogaike), from the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei), 1856
    Woodblock print, first edition
    Signed: 'Hiroshige hitsu'
    Publisher: Uoya Eikichi
    Censor's seal: 'aratame' (certified)
    Date: 1856, 7th month
    Vertical oban:
    35.9 x 23.8 cm. (14 ⅛ x 9 ⅜ in.)
    £ 12,500.00
  • Utagawa Hiroshige (1797-1858), 'Seido and Kanda River from Shohei Bridge' (Shoheibashi Seido Kandagawa), from the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei), 1857
    Utagawa Hiroshige (1797-1858)
    'Seido and Kanda River from Shohei Bridge' (Shoheibashi Seido Kandagawa), from the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei), 1857
    Woodblock print
    Signed: 'Hiroshige ga'
    Publisher: Uoya Eikichi
    Censor's seal: 'aratame' (certified)
    Date: 1857, 9th month
    Vertical oban:
    37 x 25 cm. (14 ⅝ x 9 ⅞ in.)
    £ 5,500.00
  • Ohara Koson (1877-1945), Two Goldfish, 1926
    Ohara Koson (1877-1945)
    Two Goldfish, 1926
    Woodblock print
    Signed: 'Shoson'
    Artist's seal: 'Shoson'
    Publisher: Watanabe Shozaburo (Hotei seal 'E', consistent with printing 1931-41)
    Vertical oban:
    39.1 x 26.6 cm. (15 ⅜ x 10 ½ in.)
    £ 1,200.00
  • Suzuki Harunobu (1725–1770), 'The First Day of Spring' (Risshun), from the series 'Fashionable Poetic Immortals in the Four Seasons' (Fuzoku shiki kasen), circa 1768
    Suzuki Harunobu (1725–1770)
    'The First Day of Spring' (Risshun), from the series 'Fashionable Poetic Immortals in the Four Seasons' (Fuzoku shiki kasen), circa 1768
    Woodblock print
    Signed: 'Harunobu ga'
    Collector seals: Hayashi and Vever
    Vertical chuban:
    27.9 x 21 cm. (11 x 8 ¼ in.)
    Contact for Price
  • Kawase Hasui (1883-1957), ‘Kojaku Cave, Oga Peninsula’ (Oga hanto Kojaku no iwaya), from the series ‘Souvenirs of Travel, Third Series’ (Tabi miyage dai sanshu), 1926
    Kawase Hasui (1883-1957)
    ‘Kojaku Cave, Oga Peninsula’ (Oga hanto Kojaku no iwaya), from the series ‘Souvenirs of Travel, Third Series’ (Tabi miyage dai sanshu), 1926
    Woodblock print
    Signed: 'Hasui'
    Artist's seal: 'Kawase'
    Publisher: Watanabe Shozaburo, first edition seal (Hotei 'B', consistent with printing 1924-30, the earliest seal used for this design) in lower right margin
    Dated: 'Taisho jugonen saku' [Taisho 15] (made, 1926)
    Vertical oban:
    38.7 x 26.3 cm. (15 ¼ x 10 ⅜ in.)
    £ 5,200.00
  • Torii Kotondo (1900-1976), 'Snow' (Yuki), 1929
    Torii Kotondo (1900-1976)
    'Snow' (Yuki), 1929
    Woodblock print
    Signed: 'Kotondo ga'
    Artist's red seal: 'Kotondo'
    Dated: 1929, 10th month ('Showa yonen jugatsu')
    Publisher: Sakai and Kawaguchi (embossed seal at lower left margin 'Sakai Kawaguchi go ban' [Sakai Kawaguchi joint publication])
    Embossed title 'Yuki' in bottom margin
    Reverse with embossed limited-edition seal numbered 54/300
    Vertical dai-oban:
    46.7 x 30 cm. (18 ⅜ x 11 ¾ in.)
    £ 3,800.00
  • Elizabeth Keith (1887-1956), Outside the Te Sheng-Men, Peking, 1921
    Elizabeth Keith (1887-1956)
    Outside the Te Sheng-Men, Peking, 1921
    Woodblock print
    Signed in red pencil: 'Elizabeth Keith'
    Artist's circular red seal 'E.K.'
    Dated: 1921
    Publisher: Watanabe Shozaburo
    Titled as above in red in the block at lower left
    Vertical oban:
    40.1 x 28.2 cm. (15 ¾ x 11 ⅛ in.)
    £ 3,500.00
  • Utagawa Hiroshige II (1826–1869), 'Kokebuchi at Hida in Bungo Province' (Bungo Hida Kokebuchi), from the series 'Shokoku meisho hyakkei' (One Hundred Famous Views of the Provinces), 1861
    Utagawa Hiroshige II (1826–1869)
    'Kokebuchi at Hida in Bungo Province' (Bungo Hida Kokebuchi), from the series 'Shokoku meisho hyakkei' (One Hundred Famous Views of the Provinces), 1861
    Woodblock print, first edition
    Signed: 'Hiroshige ga'
    Publisher: Uoya Eikichi
    Censor's seal including date: 'aratame, cockerel' (certified, 1861)
    Date: 1861
    Vertical oban:
    36.8 x 25.2 cm. (14 ½ x 9 ⅞ in.)
    £ 4,000.00
  • Utagawa Kunisada (1786–1865), Nakazume of the Shimanouchi District of Osaka (Naniwa Shimanouchi Nakazume), from the series Pictorial Gathering of Remarkable Women of the Floating World (Ukiyo meijo zue), circa 1821
    Utagawa Kunisada (1786–1865)
    Nakazume of the Shimanouchi District of Osaka (Naniwa Shimanouchi Nakazume), from the series Pictorial Gathering of Remarkable Women of the Floating World (Ukiyo meijo zue), circa 1821
    Woodblock print
    Signed: 'Gototei Kunisada ga'
    Publisher: Iseya Rihei (Kinjudo)
    Censor's seal: 'kiwame'
    Date: circa 1821
    Vertical oban:
    37.6 x 25.3 cm. (14 ¾ x 10 in.)
    £ 1,800.00
  • Totoya Hokkei (1780–1850), Willow Island (Yanagishima), from A Series of Willows (Yanagi ban tsuzuki), circa 1828
    Totoya Hokkei (1780–1850)
    Willow Island (Yanagishima), from A Series of Willows (Yanagi ban tsuzuki), circa 1828
    Woodblock print, surimono, embellished with metallic pigments and blind printing
    Signed: 'Go Hokkei'
    Privately published, circa 1828
    Poems by Ryukokutei Sennen and Sennentei
    Shikishiban:
    20.3 x 17.8 cm. (8 x 7 in.)
    £ 2,500.00
  • Kitao Masayoshi (1764-1824), Abbreviated sketches of fish and shellfish (Gyokai ryakuga shiki), 1802
    Kitao Masayoshi (1764-1824)
    Abbreviated sketches of fish and shellfish (Gyokai ryakuga shiki), 1802
    Woodblock printed book, one volume (complete), comprising: frontispiece, 30 double-page illustrations of fish, shellfish, crustaceans, a whale and 2 turtles, followed by a one-page colophon
    Signed: 'Keisai hitsu'
    Publisher: Suharaya Ichibe
    Colophon dated: 1802 (Kyowa 2)
    Binding: fukurotoji (pouch binding), blue covers printed with pine trees
    25.8 x 17.8 cm.
    £ 2,000.00
  • Numata Gessai (Utamasa) (1787-1864), Young boy on a veranda with pestle and mortar, sitting opposite a woman whose silhouette can be seen through the shoji, circa 1820s
    Numata Gessai (Utamasa) (1787-1864)
    Young boy on a veranda with pestle and mortar, sitting opposite a woman whose silhouette can be seen through the shoji, circa 1820s
    Woodblock print, surimono, embellished with blind printing and burnishing to the frame of the shoji
    Signed: 'Utamasa ga'
    Privately issued, circa 1820s
    11.7 x 16.7 cm. (4 ⅝ x 6 ⅝ in.)
    £ 450.00
  • Numata Gessai (Utamasa) (1787-1864), First pail of water drawn at the New Year, circa 1820s
    Numata Gessai (Utamasa) (1787-1864)
    First pail of water drawn at the New Year, circa 1820s
    Woodblock print, surimono, embellished with blind printing
    Signed: 'Utamasa ga'
    Privately issued, circa 1820s
    12.1 x 16.8 cm. (4 ¾ x 6 ⅝ in.)
    £ 350.00
  • Numata Gessai (Utamasa) (1787-1864), Young woman on a veranda (engawa) washing her hair in a basin, circa 1820s
    Numata Gessai (Utamasa) (1787-1864)
    Young woman on a veranda (engawa) washing her hair in a basin, circa 1820s
    Woodblock print, surimono, embellished with blind printing and metallic pigments
    Signed: 'Utamasa ga' (lower right, signature rubbed)
    Privately issued, circa 1820s
    12.8 x 16 cm. (5 x 6 ¼ in.)
    £ 220.00
  • Attributed to Hasegawa Sadanobu (1809-1879), Picture of a (Russian) Steam Boat (Sutonbo-to no zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Attributed to Hasegawa Sadanobu (1809-1879)
    Picture of a (Russian) Steam Boat (Sutonbo-to no zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Woodblock print, embellished with extensive burnishing to the boat
    Unsigned, circa 1850s-60s
    13.4 x 19 cm. (5 ¼ x 7 ½ in.)
    £ 700.00
  • Attributed to Hasegawa Sadanobu (1809-1879), Picture of a Dutch Ship (Oranda sen zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Attributed to Hasegawa Sadanobu (1809-1879)
    Picture of a Dutch Ship (Oranda sen zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Woodblock print, embellished with extensive burnishing to the boat
    Unsigned, circa 1850s-60s
    12.8 x 19 cm. (5 x 7 ½ in.)
    £ 580.00
  • Attributed to Hasegawa Sadanobu (1809-1879), Picture of a Steam Ship (Joki fune no zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Attributed to Hasegawa Sadanobu (1809-1879)
    Picture of a Steam Ship (Joki fune no zu), from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Woodblock print, embellished with extensive burnishing to the boat
    Unsigned, circa 1850s-60s
    13.4 x 19.1 cm. (5 ¼ x 7 ½ in.)
    £ 700.00
  • Attributed to Hasegawa Sadanobu (1809-1879), Korean Ship, from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Attributed to Hasegawa Sadanobu (1809-1879)
    Korean Ship, from a set of foreign ships titled Banpaku zue [Illustrations of Barbarian Ships], 1850s-60s
    Woodblock print, embellished with extensive burnishing to the boat
    Unsigned, circa 1850s-60s
    13 x 18.4 cm.
    £ 500.00
  • Takahashi Shotei (Hiroaki) (1871-1945), Dance Festival (Bon Odori), 1927-36
    Takahashi Shotei (Hiroaki) (1871-1945)
    Dance Festival (Bon Odori), 1927-36
    Woodblock print
    Sealed: 'Shotei'
    Titled as above next to artist's seal
    Publisher: Watanabe Shozaburo
    Date: circa 1927-36
    Vertical o-tanzaku:
    38.2 x 16.8 cm. (15 x 6 ⅝ in.)
    £ 1,100.00
  • Takahashi Shotei (Hiroaki) (1871-1945), Sudden Rain (Shuu) [Near a Bridge], circa 1936
    Takahashi Shotei (Hiroaki) (1871-1945)
    Sudden Rain (Shuu) [Near a Bridge], circa 1936
    Woodblock print
    Artist's seal: 'Hiroaki'
    Titled as above above the seal
    Publisher: Watanabe Shozaburo
    Date: circa 1936
    'Made in Japan" stamped on the reverse
    Vertical o-tanzaku:
    38.1 x 17.2 cm. (15 x 6 ¾ in.)
    £ 800.00
  • Tsuchiya Koitsu (1870-1949), Rain at Asakusa Kannon Temple (Asakusa Kannon-do), 1933
    Tsuchiya Koitsu (1870-1949)
    Rain at Asakusa Kannon Temple (Asakusa Kannon-do), 1933
    Woodblock print
    Signed: 'Koitsu'
    Artist's seal: 'Shin'
    Date: June 1933 (Showa 8, 6th month)
    Printer and carver seals: 'Yokoi' and 'Harada'
    Publisher: Doi Hangaten, paper with 'Doi' watermark, this impression a post-war edition circa 1950
    Vertical oban:
    39.7 x 26.6 cm. (15 ⅝ x 10 ½ in.)
    £ 850.00
  • Tsuchiya Koitsu (1870-1949), Entrance to a Teahouse in Yotsuya, Araki-cho, from the series Views of Tokyo (Tokyo fukei), 1935
    Tsuchiya Koitsu (1870-1949)
    Entrance to a Teahouse in Yotsuya, Araki-cho, from the series Views of Tokyo (Tokyo fukei), 1935
    Woodblock print
    Signed: 'Koitsu'
    Artist's seal: 'Shin'
    Date: January 1935 (Showa 10, 1st month)
    Printer and carver seals: 'Yokoi' and 'Harada'
    Publisher: Doi Hangaten, paper with 'Doi' watermark, this impression a post-war edition circa 1950
    Vertical oban
    39.7 x 26.7 cm. (15 ⅝ x 10 ½ in.)
    £ 700.00
  • Tsuchiya Koitsu (1870-1949), Kofukuji Temple in Nara, 1930
    Tsuchiya Koitsu (1870-1949)
    Kofukuji Temple in Nara, 1930
    Woodblock print
    Signed: 'Koitsu'
    Artist's seal: 'Shin'
    Date: June 1937 (Showa 12, 6th month)
    Printer and carver seals: 'Ito' and 'Ikeda'
    Publisher: Doi Hangaten, paper with 'Doi' watermark, this impression a post-war edition circa 1950
    Vertical oban:
    42.3 x 28.3 cm. (16 ⅝ x 11 ⅛ in.)
    £ 700.00
  • Utagawa Toyokuni I (1769 - 1825), Wisdom (Chi), from the series Fashionable Five Virtues (Furyu jin-gi-rei-chi-shin), circa 1795
    Utagawa Toyokuni I (1769 - 1825)
    Wisdom (Chi), from the series Fashionable Five Virtues (Furyu jin-gi-rei-chi-shin), circa 1795
    Woodblock print
    Signed: 'Toyokuni ga'
    Publisher: Izumiya Ichibei (Kansendo)
    Censor's seal: 'kiwame' (approved)
    Date: circa 1795
    Vertical oban: 38.7 x 25.4 cm. (15 ¼ x 10 in.)
    £ 12,000.00
  • Katsushika Hokusai (1760–1849), Poem by Kiyowara no Fukayabu, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), circa 1835–36
    Katsushika Hokusai (1760–1849)
    Poem by Kiyowara no Fukayabu, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), circa 1835–36
    Woodblock print
    Signed: 'Saki no Hokusai Manji'
    Publisher: Isaya Sanjiro (Eijudo)
    Censor's seal: 'kiwame' (approved)
    (Publisher and censor seal present at lower right, partially obscured by black bokashi)
    Horizontal oban:
    25.3 x 36.3 cm. (10 x 14 ¼ in.)
    £ 9,800.00
  • Elizabeth Keith (1887-1956), East Gate, Seoul (By Moonlight), 1920
    Elizabeth Keith (1887-1956)
    East Gate, Seoul (By Moonlight), 1920
    Woodblock print
    Extremely faint trace of artist’s signature at lower right
    Artist's seal: 'E.K.' at lower right
    Dated: 1920 at lower right
    31.8 x 44.9 cm. (12 ½ x 17 ⅝ in.)
    £ 2,000.00
  • Utagawa Kuniyoshi (1797-1861), Lu Junyi, the Jade Qilin (Gyokukirin Roshungi), from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsuzoku Suikoden goketsu hyakuhachinin no hitori), Circa 1827–30
    Utagawa Kuniyoshi (1797-1861)
    Lu Junyi, the Jade Qilin (Gyokukirin Roshungi), from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsuzoku Suikoden goketsu hyakuhachinin no hitori), Circa 1827–30
    Woodblock print
    Signed: 'Ichiyusai Kuniyoshi ga'
    Publisher: Kagaya Kichiemon (Kichibei)
    Censorship seal: 'kiwame' (approved)
    Date: circa 1827-30
    Vertical oban:
    38.9 x 26.4 cm. (15 ¼ x 10 ⅜ in.)
    £ 5,000.00
  • Chobunsai Eishi (1756-1829), Courtesans in a Yoshiwara teahouse, from the series Ten Famous Places in Edo (Koto jussho zekkei), Circa 1790
    Chobunsai Eishi (1756-1829)
    Courtesans in a Yoshiwara teahouse, from the series Ten Famous Places in Edo (Koto jussho zekkei), Circa 1790
    Woodblock print
    Unsigned
    Publisher: Enomotoya Kichibei (Hoeido)
    Date: circa 1790
    Vertical chuban: 25.5 x 18.4 cm. (10 x 7 ¼ in.)
    £ 1,200.00
  • Tsukioka Yoshitoshi (1839-1892), 'Looks Delicious: Mannerisms of a Courtesan from the Kaei Period', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Looks Delicious: Mannerisms of a Courtesan from the Kaei Period', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Date: 1888 (Meiji 21)
    Vertical oban:
    37.2 x 25.4 cm. (14 ⅝ x 10 in.)
    £ 3,000.00
  • Tsukioka Yoshitoshi (1839-1892), 'Dark: Habits of a housewife of the Meiji era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Dark: Habits of a housewife of the Meiji era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Dated: 1888 (Meiji 21)
    Vertical oban:
    37.1 x 25.4 cm. (14 ⅝ x 10 in.)
    £ 2,700.00
  • Katsushika Hokusai (1760–1849), Rainstorm beneath the Summit (Sanka haku-u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), circa 1831
    Katsushika Hokusai (1760–1849)
    Rainstorm beneath the Summit (Sanka haku-u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), circa 1831
    Woodblock print
    Horizontal oban:
    25.4 x 37.6 cm.
    10 x 14 3/4 in.
    Sold
  • Utagawa Kuniyoshi (1797-1861), Four Stations: Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series Famous Views of the Fifty-three Stations of the Tokaido Road (Tokaido gojusan eki yonshuku meisho), circa 1830-35
    Utagawa Kuniyoshi (1797-1861)
    Four Stations: Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series Famous Views of the Fifty-three Stations of the Tokaido Road (Tokaido gojusan eki yonshuku meisho), circa 1830-35
    Woodblock print
    Horizontal oban:
    24.6 x 36.5 cm. (9 ¾ x 14 ⅜ in.)
    £ 3,900.00
  • Utagawa Hiroshige (1797-1858), View of the Ferry at Rokugo (Rokugo watashiba no kei), 1847-52
    Utagawa Hiroshige (1797-1858)
    View of the Ferry at Rokugo (Rokugo watashiba no kei), 1847-52
    Woodblock print
    Each sheet signed: 'Hiroshige ga'
    Publisher: Yamadaya Shobei
    Censor's seals: Mera Ta-ichiro and Watanabe Shoemon
    Date: circa 1847-52
    Vertical oban, triptych:
    36.5 x 25.1 cm. (14 ⅜ x 9 ⅞ in.)
    £ 4,600.00
  • Utagawa Hiroshige II (1826–1869), Kirifuri Waterfall, Nikko (Nikko Kirifuri no taki), from the series One Hundred Views of Famous Places in the Provinces (Shokoku meisho hyakkei), 1859
    Utagawa Hiroshige II (1826–1869)
    Kirifuri Waterfall, Nikko (Nikko Kirifuri no taki), from the series One Hundred Views of Famous Places in the Provinces (Shokoku meisho hyakkei), 1859
    Woodblock print
    Signed: 'Hiroshige ga'
    Date: 1859, 10th month
    Publisher: Uoya Eikichi
    Sealed: combined 'aratame' (certified) and date seal 'Goat, 10' (1859, 10th month)
    Vertical oban:
    34.9 x 24 cm. (13 ¾ x 9 ½ in.)
    £ 7,800.00
  • Utagawa Hiroshige (1797-1858), Moon Pine, Ueno (Ueno sannai Tsuki no matsu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, 8th month
    Utagawa Hiroshige (1797-1858)
    Moon Pine, Ueno (Ueno sannai Tsuki no matsu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, 8th month
    Woodblock print
    Vertical oban:
    36 x 24.8 cm. (14 ⅛ x 9 ¾ in.)
    £ 2,200.00
  • Keisai Eisen (1790-1848), Enjoying the Evening Cool at Ryogoku Bridge in the Eastern Capital (Toto Ryogokubashi yusuzumi no zu), 1830s
    Keisai Eisen (1790-1848)
    Enjoying the Evening Cool at Ryogoku Bridge in the Eastern Capital (Toto Ryogokubashi yusuzumi no zu), 1830s
    Woodblock print, triptych
    Signed: 'Ippitsuan Eisan ga' (to right sheet), and 'Eisen ga' (to centre and left sheets)
    Publisher: Tsutaya Kichizo
    Date: 1830s
    Vertical oban, triptych, each sheet approx.:
    38.6 x 26.5 cm. (15 ¼ x 10 ⅜ in.)
    £ 3,500.00
  • Kawamura Kiho (1778-1852), Kiho’s Picture Book (Kiho gafu), 1827
    Kawamura Kiho (1778-1852)
    Kiho’s Picture Book (Kiho gafu), 1827
    Woodblock-printed illustrated book
    One volume, complete
    Publisher: Yoshida Shinbei (Bunchodo), Kyoto
    Date: 1827 (Bunsei 7)
    Binding: fukurotoji (pouch binding), original pale blue covers printed with waves in mica
    25.8 x 17.7 cm. (10 ⅛ x 7 in.)
    £ 1,800.00
  • Katsushika Hokusai (1760–1849), Picture Album Transmitting the Spirit: The Hokusai Drawing Style ([Denshin Kaishu] Hokusai gashiki), 1818
    Katsushika Hokusai (1760–1849)
    Picture Album Transmitting the Spirit: The Hokusai Drawing Style ([Denshin Kaishu] Hokusai gashiki), 1818
    Woodblock-printed illustrated book
    One volume, complete, 1st edition
    Preface dated: 1818 (Bunsei 1)
    Preface signed: Keizan Shoshi
    Binding: fukurotoji (pouch binding), brown covers
    26.7 x 18.1 cm. (10 ½ x 7 ⅛ in.)
    £ 4,000.00
  • Utagawa Hiroshige (1797-1858), Black Sea Bream, Small Sea Bream, Asparagus Shoots and Sansho Pepper, from the untitled series of Large Fish, circa 1832-33
    Utagawa Hiroshige (1797-1858)
    Black Sea Bream, Small Sea Bream, Asparagus Shoots and Sansho Pepper, from the untitled series of Large Fish, circa 1832-33
    Woodblock print
    Signed: Ryusai Hiroshige ga
    Date: circa 1832-33
    Censor's seal: kiwame (approved)
    Publisher: Nishimuraya Yohachi (Eijudo)
    Horizontal oban:
    25.4 x 36.5 cm. (10 x 14 ⅜ in.)
    £ 2,200.00
  • Utagawa Hiroshige (1797-1858), Snowy Morning in the Yoshiwara (Yoshiwara yuki no asa), from the series Famous Places in the Eastern Capital (Toto meisho), 1847-52
    Utagawa Hiroshige (1797-1858)
    Snowy Morning in the Yoshiwara (Yoshiwara yuki no asa), from the series Famous Places in the Eastern Capital (Toto meisho), 1847-52
    Woodblock print
    Signed: 'Hiroshige ga'
    Publisher: Sanoya Kihei (Kinkakudo)
    Censor's seals: Kinugasa, Watanabe
    Date: 1847-52
    Horizontal oban: 36.7 x 24.2 cm. (14 ½ x 9 ½ in.)
    £ 4,000.00
  • Utagawa Hiroshige (1797-1858), Ama no Hashidate, from the series Famous Places of Our Country (Honcho meisho), circa 1837
    Utagawa Hiroshige (1797-1858)
    Ama no Hashidate, from the series Famous Places of Our Country (Honcho meisho), circa 1837
    Woodblock print
    Signed: 'Hiroshige ga'
    Artist's seal: 'Ichiryusai'
    Publisher: Fujiokaya Hikotaro (Shogendo)
    Censor's seal: 'kiwame' (approved)
    Date: circa 1837
    Horizontal oban:
    23.6 x 36 cm. (9 ¼ x 14 ⅛ in.)
    £ 12,000.00
  • Katsukawa Shuntei (1770–1824), Actors Segawa Kikunojo III and Ichikawa Yaozo III, 1799
    Katsukawa Shuntei (1770–1824)
    Actors Segawa Kikunojo III and Ichikawa Yaozo III, 1799
    Woodblock print, mica background
    Signed: Shuntei ga
    Publisher: Enomotoya Kichibei
    Date: 1799
    Vertical oban:
    37 x 24.5 cm. (14 ⅝ x 9 ⅝ in.)
  • Attributed to Kubo Shunman (1757-1820), Picture Book of Flowers of Pleasure (Tanoshimi Gusa), 1796
    Attributed to Kubo Shunman (1757-1820)
    Picture Book of Flowers of Pleasure (Tanoshimi Gusa), 1796
    Woodblock-printed illustrated book, 3 volumes, complete
    Dated: 1796 (Kansei 8)
    Binding: fukurotoji (pouch binding)
    22.5 x 15.4 cm. (8 ⅞ x 6 in.) (each volume)
    £ 2,000.00
  • Kawamura Bumpo (1779-1821), Album of Drawings by Bumpo, Third Series (Bumpo gafu [sampan]), 1813
    Kawamura Bumpo (1779-1821)
    Album of Drawings by Bumpo, Third Series (Bumpo gafu [sampan]), 1813
    Woodblock-printed illustrated book
    One volume, complete
    Signed: Bumpo
    Dated: 1813 (Bunka 10)
    Publishers: Kawachiya Kihei and Yoshidaya Shimbei
    Engraver: Inouye Jihei
    Binding: fukurotoji (pouch binding), dark green covers, title slip lacking
    26 x 18 cm. (10 ¼ x 7 ⅛ in.)
    £ 800.00
  • Shunkosai Hokushu (active circa 1810-32), The actors Nakamura Matsue III in the role of Otaka, Ichikawa Ebijuro I as Mokuemon, and Ichikawa Danzo V as Yashichi, 1824, 3rd month
    Shunkosai Hokushu (active circa 1810-32)
    The actors Nakamura Matsue III in the role of Otaka, Ichikawa Ebijuro I as Mokuemon, and Ichikawa Danzo V as Yashichi, 1824, 3rd month
    Woodblock print, surimono on deluxe paper, embellished with metallic pigments and embossing
    Vertical oban, diptych (each sheet):
    39.2 x 26.3 cm. (15 ⅜ x 10 ⅜ in.)
    £ 2,400.00
  • Utagawa Kuniyoshi (1797-1861), No. 47 Inaue Daikuro Masatada, from the series Heroes of the Great Peace (Taiheiki eiyuden), 1848-50
    Utagawa Kuniyoshi (1797-1861)
    No. 47 Inaue Daikuro Masatada, from the series Heroes of the Great Peace (Taiheiki eiyuden), 1848-50
    Woodblock print
    Signed: 'Ichiyusai Kuniyoshi ga'
    Publisher: Yamamoto Heikichi
    Censor's seals: Murata Heiemon and Mera Taichiro
    Date: circa 1848-50
    Vertical oban:
    36.2 x 24.4 cm. (14 ¼ x 9 ⅝ in.)
    £ 900.00
  • Utagawa Kuniyoshi (1797-1861), Clearing weather at Horikawa (Horikawa seiran) from the series Eight Views of Military Brilliance (Yobu hakkei), 1852
    Utagawa Kuniyoshi (1797-1861)
    Clearing weather at Horikawa (Horikawa seiran) from the series Eight Views of Military Brilliance (Yobu hakkei), 1852
    Woodblock print
    Signed: 'Ichiyusai Kuniyoshi ga'
    Publisher: Enshuya Matabei
    Censor's: Mera Taichiro and Watanabe Shoemon
    Dated: 1852, 7th month
    Vertical oban:
    37.2 x 25.4 cm. (14 ⅝ x 10 in.)
    £ 700.00
  • Tsukioka Yoshitoshi (1839-1892), Moon on the sea at Daimotsu - Benkei (Daimotsu kaijo no tsuki - Benkei), from the series One Hundred Aspects of the Moon (Tsuki hyakushi), January, 1886
    Tsukioka Yoshitoshi (1839-1892)
    Moon on the sea at Daimotsu - Benkei (Daimotsu kaijo no tsuki - Benkei), from the series One Hundred Aspects of the Moon (Tsuki hyakushi), January, 1886
    Woodblock print
    Signed: 'Yoshitoshi'
    Artist's seal: 'Taiso'
    Publisher: Akiyama Buemon
    Dated: Meiji 19, 1st month (January 1886)
    Vertical oban:
    35.6 x 24.3 cm. (14 x 9 ⅝ in.)
    Sold
  • Tsukioka Yoshitoshi (1839-1892), 'Looking Cool: The Appearance of a Geisha in the Fifth or Sixth Year of Meiji' (Suzushiso Meiji goroku nen irai geigi no fuzoku), from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Looking Cool: The Appearance of a Geisha in the Fifth or Sixth Year of Meiji' (Suzushiso Meiji goroku nen irai geigi no fuzoku), from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Date: 1888 (Meiji 21)
    Vertical oban:
    37.3 x 25.4 cm. (14 ¾ x 10 in.)
    £ 3,000.00
  • Tsukioka Yoshitoshi (1839-1892), 'Enjoying: Habits of a teacher of the Kaei era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Enjoying: Habits of a teacher of the Kaei era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Date: 1888 (Meiji 21)
    Vertical oban:
    37.4 x 25.4 cm. (14 ¾ x 10 in.)
    £ 2,700.00
  • Tsukioka Yoshitoshi (1839-1892), Poem by Hitotose, from the series One Hundred Aspects of the Moon (Tsuki hyakushi), 1887
    Tsukioka Yoshitoshi (1839-1892)
    Poem by Hitotose, from the series One Hundred Aspects of the Moon (Tsuki hyakushi), 1887
    Woodblock print
    Signed: 'Yoshitoshi'
    Artist's seal: 'Taiso'
    Publisher: Akiyama Buemon
    Dated: Meiji 20, 6th month, 23rd day (23rd June 1887)
    Vertical oban:
    37.1 x 25.2 cm. (14 ⅝ x 9 ⅞ in.)
    £ 2,800.00
  • Tsukioka Yoshitoshi (1839-1892), 'Looking Inquisitive: The Appearance of a Maid of the Tenpo Era' (Mitaso Tenpo nenkan okosho no fuzoku), from the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Looking Inquisitive: The Appearance of a Maid of the Tenpo Era' (Mitaso Tenpo nenkan okosho no fuzoku), from the series 'Thirty-two Aspects of Customs and Manners' (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Dated: 1888 (Meiji 21)
    Vertical oban:
    37.7 x 25.6 cm. (14 ⅞ x 10 ⅛ in.)
    £ 3,000.00
  • Tsukioka Yoshitoshi (1839-1892), 'Looking Impatient: The Appearance of the Wife of a Fire Chief in the Kaei Era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'Looking Impatient: The Appearance of the Wife of a Fire Chief in the Kaei Era', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Dated: 1888 (Meiji 21)
    Vertical oban:
    37.1 x 25.4 cm. (14 ⅝ x 10 in.)
    £ 2,700.00
  • Tsukioka Yoshitoshi (1839-1892), 'The Relaxed Type: The Appearance of a Kyoto Geisha from the Kansei Period', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Tsukioka Yoshitoshi (1839-1892)
    'The Relaxed Type: The Appearance of a Kyoto Geisha from the Kansei Period', from the series ‘Thirty-two Aspects of Customs and Manners’ (Fuzoku sanjuni so), 1888
    Woodblock print, first edition with three-colour cartouche
    Signed: 'Yoshitoshi ga'
    Artist's seal: 'Taiso'
    Publisher: Tsujiokaya Kamekichi (Kinkido)
    Dated: 1888 (Meiji 21)
    Vertical oban:
    37.2 x 25.5 cm. (14 ⅝ x 10 in.)
    £ 2,600.00
  • Ryuryukyo Shinsai (active circa 1799–1823), Woman reading a letter, circa 1810s
    Ryuryukyo Shinsai (active circa 1799–1823)
    Woman reading a letter, circa 1810s
    Woodblock print, attributed to Ryuryukyo Shinsai, surimono, embellished with metallic pigments and embossing
    Privately published, circa 1810s
    Shikishiban:
    20.6 x 18.4 cm. (8 ⅛ x 7 ¼ in.)
    £ 2,500.00
  • Utagawa Kunisada (1786–1865), Okazaki neko ishi no kai (The Spirit of the Cat Rock at Okazaki), 1854, 5th month
    Utagawa Kunisada (1786–1865)
    Okazaki neko ishi no kai (The Spirit of the Cat Rock at Okazaki), 1854, 5th month
    Woodblock print, triptych
    Signed: 'Toyokuni ga' (to each sheet)
    Publisher: Riya Sojiro
    Censor's seal: 'aratame' (certified)
    Date seal: 'Tiger 5' (1854, 5th month)
    Blockcutter's mark: 'Hori Komakichi'
    Vertical oban, each sheet approx.:
    36.2 x 24.8 cm. (14 ¼ x 9 ¾ in.)
    £ 1,400.00
  • Utagawa Kunisada (1786–1865), The actors Ichimura Uzaemon XII as Satomi Shurinosuke (R), Onoe Kikugoro III as the Ghosts of both the princess Fusehime and the dog Yatsufusa (C), and Ichikawa Ebizo V as Kanamari Daisuke (L), circa 1836
    Utagawa Kunisada (1786–1865)
    The actors Ichimura Uzaemon XII as Satomi Shurinosuke (R), Onoe Kikugoro III as the Ghosts of both the princess Fusehime and the dog Yatsufusa (C), and Ichikawa Ebizo V as Kanamari Daisuke (L), circa 1836
    Woodblock print, triptych
    Vertical oban, each sheet approx.:
    37.2 x 26.4 cm. (14 ⅝ x 10 ⅜ in.)
    £ 1,000.00
  • Katsushika Hokusai (1760–1849), The Poet Abe no Nakamaro, from the series One Hundred Poems, Explained by the Nurse (Hyakunin isshu uba ga etoki), about 1835–36
    Katsushika Hokusai (1760–1849)
    The Poet Abe no Nakamaro, from the series One Hundred Poems, Explained by the Nurse (Hyakunin isshu uba ga etoki), about 1835–36
    Woodblock print
    Horizontal oban:
    25.2 x 37.5 cm.
    9 7/8 x 14 3/4 in.
    Sold
  • Kubo Shunman (1757-1820), Moths and Butterflies, from the series An Illustrated Collection of Butterflies for the Kasumi Group (Kasumi-ren guncho gafu), circa 1804-18
    Kubo Shunman (1757-1820)
    Moths and Butterflies, from the series An Illustrated Collection of Butterflies for the Kasumi Group (Kasumi-ren guncho gafu), circa 1804-18
    Woodblock print, surimono, embellished with embossing and metallic pigments
    Signed Sho Shunman sei
    Privately issued
    Shikishiban:
    18.9 x 16.7 cm. (7 1/2 x 6 5/8 in.)
    Sold
  • Kubo Shunman (1757-1820), Moths and Butterflies, from the series An Illustrated Collection of Butterflies for the Kasumi Group (Kasumi-ren guncho gafu), circa 1804-18
    Kubo Shunman (1757-1820)
    Moths and Butterflies, from the series An Illustrated Collection of Butterflies for the Kasumi Group (Kasumi-ren guncho gafu), circa 1804-18
    Woodblock print, surimono, embellished with embossing and metallic pigments
    Signed: Sho Shunman sei
    Privately issued
    Shikishiban:
    19.3 x 17.1 cm. (7 5/8 x 6 3/4 in.)
    Sold
  • Totoya Hokkei (1780–1850), The Irises of Yatsuhashi at Mikawa (Mikawa Yatsuhashi, kakitsubata), from the series Famous Products of the Various Provinces, for the Gogawa Group (Gogawa, Shokoku meibutsu), about 1810
    Totoya Hokkei (1780–1850)
    The Irises of Yatsuhashi at Mikawa (Mikawa Yatsuhashi, kakitsubata), from the series Famous Products of the Various Provinces, for the Gogawa Group (Gogawa, Shokoku meibutsu), about 1810
    Woodblock print, surimono, embellished with metallic pigments and embossing
    Shikishiban:
    20.5 x 18.3 cm.
    8 1/8 x 7 1/4 in.
    Sold
  • Totoya Hokkei (1780–1850), Chinese Warrior (Ryuho) slays the White Serpent (Ryuho hakuja o kiru), 1832
    Totoya Hokkei (1780–1850)
    Chinese Warrior (Ryuho) slays the White Serpent (Ryuho hakuja o kiru), 1832
    Woodblock print, surimono, embellished with metallic pigments and embossing
    Shikishiban:
    20.4 x 17.8 cm.
    8 1/8 x 7 1/8 in.
    Sold